Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.  Related Paintings of Ambrogio Lorenzetti :. | The Oath of St Louis of Toulouse | Annunciation | Madonna and Child Enthroned,with Angels and Saints | Birth of the Virgin | The Presentation in the Temple |
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Skovgaard
Peter Christian Thamsen Skovgaard (known as P.C. Skovgaard), (4 April 1817 - 13 April 1875), Danish national romantic landscape painter, was born near Ringsted to farmer Tham Masmann Skovgaard and his wife Cathrine Elisabeth. He is one of the main figures associated with the Golden Age of Danish Painting. He is especially known for his large scale portrayals of the Danish landscape. The family had to leave the farm when he was six years old. They moved to Vejby in north Sjælland where his father earned his living as a grocer. Already as a young child he impressed his family with his artistic abilities. His mother, who had studied art under flower painter Claudius Ditlev Fritsch, gave him instructions in drawing until he was confirmed and could be sent to Copenhagen for training at the Royal Danish Academy of Art . He started his training at the Academy in 1831. He did not think much of this training or of that under private lessons starting in 1836 with J. L. Lund, romantic history painter. More advantageous to him, he felt, were the time he spent learning craft painting; the time he spent visiting the Danish Royal Painting Collection, now the National Museum of Art and studying the classical Dutch landscapes in their collection; the outdoors studies he did with friends Christian Gotfred Rump, J. Th. Lundbye, Thorald Læssøe, Dankvart Dreyer and Lorens Frølich; and the many evenings he spent with other young artists at sculptor and Academy professor Herman Ernst Freundse fashionable house. Christoffer Wilhelm Eckersberg, Academy professor, former Director and long-standing rival of Lund, although not Skovgaardes teacher, played an influential role by encouraging and arranging field studies for Academy students to paint outdoors, including to Jægersborg Dyrehave, an area which Skovgaard featured several times in his mature work. In 1836 he started at the Academyes School of Model Painting, and exhibited at Charlottenborg for the first time. His painting "Maneskinsstykke med Motiv fra Langebro" ("Moonlight piece with Motif from Langebro") was purchased by Crown Prince Christian Frederick and is now in the collection of the Copenhagen City Museum.
Johann Christian Klengel
Johann Christian Klengel (1751-1824), painter.
Eduard Alexander Hilverdink
painted A snowy view of the Smedestraat, Haarlem in